The Game | ||||
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Studio album by Queen | ||||
Released | 30 June 1980 | |||
Recorded | June–July 1979, February–May 1980, Musicland Studios, Munich, Germany | |||
Genre | Rock | |||
Length | 35:39 | |||
Label | EMI (Europe) Parlophone (Europe) Elektra Records (US) Hollywood Records (US) |
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Producer | Queen, Mack | |||
Queen chronology | ||||
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Alternative Cover | ||||
EMI Version
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Singles from The Game | ||||
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The Game is the eighth studio album by British rock band Queen released on 30 June 1980. It was the only Queen album to reach #1 in the US and became Queen's best selling studio album in the US with four million copies sold to date, tying News of the World's US sales tally. The album received very favourable reviews. Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love", both of which reached #1 in the US. The Game was the first Queen album to use a synthesiser,[1] (an Oberheim OB-X).
The album features a more pop/rock sound than its predecessor, Jazz. The album's style would be augmented on Queen's next release Hot Space, and future Queen albums. At approximately 35 minutes 39 seconds, The Game is the 2nd shortest of Queen's studio albums, with their subsequent soundtrack for the film Flash Gordon being shorter by 39 seconds. It is estimated to have sold 12 million copies worldwide, including over 4.5 million in the United States.
Re-issued on May 2003 on DVD-Audio with Dolby 5.1 surround sound and DTS 5.1. The 5.1 mix of "Coming Soon" features an alternate backing track, because the final master tapes were not found when mixing the album to 5.1.
The photo on the cover of the EMI CD is different from that originally used on the LP and cassette even though the Hollywood CD still has the original photo. The original photo (with Taylor having folded arms and May not having a hand resting upon his exposed hip) is shown in the article. This alternate photo was also used on cover of the DTS DVD-Audio edition of the album released in 2003.
"Crazy Little Thing Called Love", "Sail Away Sweet Sister", "Coming Soon", and "Save Me" were recorded from June to July 1979.[2] The remaining songs were recorded between February and May 1980.[2]
Contents |
Side one | |||||||||
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No. | Title | Writer(s) | Length | ||||||
1. | "Play the Game" | Freddie Mercury | 3:30 | ||||||
2. | "Dragon Attack" | Brian May | 4:18 | ||||||
3. | "Another One Bites the Dust" | John Deacon | 3:35 | ||||||
4. | "Need Your Loving Tonight" | Deacon | 2:50 | ||||||
5. | "Crazy Little Thing Called Love" | Mercury | 2:44 |
Side two | |||||||||
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No. | Title | Writer(s) | Length | ||||||
6. | "Rock It (Prime Jive)" | Roger Taylor | 4:33 | ||||||
7. | "Don't Try Suicide" | Mercury | 3:52 | ||||||
8. | "Sail Away Sweet Sister" | May | 3:33 | ||||||
9. | "Coming Soon" | Taylor | 2:51 | ||||||
10. | "Save Me" | May | 3:50 |
Bonus track (1991 Hollywood Records CD reissue) | |||||||||
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No. | Title | Length | |||||||
11. | "Dragon Attack" (1991 remix by Jack Benson and R.A.K.) | 4:23 |
2011 Bonus EP | |||||||||
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No. | Title | Length | |||||||
1. | "Save Me (Live in Montreal, November 1981)" | 4:18 | |||||||
2. | "A Human Body (B-Side)" | 3:44 | |||||||
3. | "Sail Away Sweet Sister (Take 1 with guide vocal, February 1980)" | 2:34 | |||||||
4. | "It's a Beautiful Day (Original spontaneous idea, April 1980)" | 1:31 | |||||||
5. | "Dragon Attack (Live in Milton Keynes, June 1982)" | 5:15 |
2011 iTunes Bonus Videos | |||||||||
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No. | Title | Length | |||||||
1. | "Vocal Improv / Dragon Attack (Live at Morumbi Stadium, 1981)" | ||||||||
2. | "Save Me (Live at Seibu Lions, 1982)" | ||||||||
3. | "Crazy Little Thing Called Love (Saturday Night Live, 1982)" |
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [3] |
Record Mirror | [4] |
Rolling Stone | (mixed)[5] |
George Starostin | [6] |
The Washington Post | (unfavourable)[7] |
Record Mirror awarded The Game 4/5 stars, writing: "After Zeppelin and even before the Scorpions, Queen are the most exciting band I've ever seen or heard. And I'm sure all you lovers of quality music will agree."[4] Rolling Stone felt that it was "nice to hear a Queen album with songs, not 'anthems'," but opined that "these guys know how this music should sound and feel, but they can't bend enough to get with it."[5] The Washington Post gave a scathing review, writing: "After five years of unchallenging, dismal albums, this was supposed to be Queen's comeback. But no such luck."[7] Allmusic awarded the album 4.5/5 stars, opining that it "finds Queen turning decidedly, decisively pop, and it's a grand, state-of-the-art circa 1980 pop album that still stands as one of the band's most enjoyable records.[3] George Starostin was also appreciative, describing the album as "catchy, diverse, well-written and atmospheric."[6]
Creem readers voted The Game the 7th greatest album of 1980.[8] In 2008, Out ranked the album number 28 of 100 in a poll of "more than 100 actors, comedians, musicians, writers, critics, performance artists, label reps, and DJs, asking each to list the 10 albums that left the most indelible impressions on their lives."[9] Allmusic would go on to name The Game as Queen's best album of the 1980s.[10]
Yeah, that was when we started trying to get outside what was normal for us. Plus we had a new engineer in Mack and a new environment in Munich. Everything was different. We turned our whole studio technique around in a sense, because Mack had come from a different background from us. We thought there was only one way of doing things, like doing a backing tracks: We would just do it until we got it right. If there were some bits where it speeded up or slowed down, then we would do it again until it was right. We had done some of our old backing tracks so many times, they were too stiff. Mack's first contribution was to say, "Well you don't have to do that. I can drop the whole thing in. If it breaks down after half a minute, then we can edit in and carry on if you just play along with the tempo". We laughed and said "Don't be silly. You can't do that". But in facts, you can. What you gain is the freshness, because often a lot of the backing tracks is first time though. It really helped a lot. There was less guitar on that album, but that's really not going to be the same forever; that was just an experiment.
—Brian May[11]
Additional synthesisers by Mack.
Chart positions
Certifications
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Year-end charts
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Preceded by Best of by Roger Whittaker |
Dutch Mega Chart number-one album 12 July 1980 |
Succeeded by Emotional Rescue by The Rolling Stones |
Preceded by Emotional Rescue by The Rolling Stones |
UK Albums Chart number-one album 19 July 1980 – 1 August 1980 |
Succeeded by Deepest Purple: The Very Best of Deep Purple by Deep Purple |
Preceded by Hold Out by Jackson Browne |
Billboard 200 number-one album 20 September – 24 October 1980 |
Succeeded by Guilty by Barbra Streisand |
Preceded by Emotional Rescue by The Rolling Stones |
Canadian RPM Chart number-one album 11 October 1980 – 13 December 1980 |
Succeeded by The River by Bruce Springsteen |
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